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Chotpradit will spend three weeks in Sydney as a part of the Sydney Asian Art Series, a program run by the ability Institute in collaboration with VisAsia at the Art Gallery of NSW. In October the ability Institute will welcome Thanavi Chotpradit as the second “Scholar in Residence” of the Sydney Asian Art Series. We are so excited to welcome Thanavi to Sydney. The 2024 Sydney Asian Art Series is convened by Olivier Krischer and Yvonne Low, and co-presented by the ability Institute and VisAsia on the Art Gallery of NSW. In 2024, the Series is co-convened by Olivier Krischer and Yvonne Low, and focuses on community in Asian artwork. That is a unique alternative for staff, students and the broader Sydney artwork neighborhood to interact with one of many area’s main voices. As a scholar, Chotpradit has published broadly on Thai artwork, politics and activism, and can be one of the editors of the influential, peer-reviewed journal Southeast of Now: Directions in Contemporary and Modern Art in Asia. As Thailand’s main curator and critic, Thanavi’s research and perspectives on artwork, politics and collectivism are sharp and erudite.

She participated in a cross-regional analysis program, “Ambitious Alignments: New Histories of Southeast Asian Art,” developed by the facility Institute Foundation for Art and Visual Culture, University of Sydney, Australia, and funded by the Getty Foundation’s Connecting Art Histories initiative (2015-2016). Her research on the photographs of the 6th October Massacre (1976) is funded by the National Research Council of Thailand (2019-2022). She is a co-curator of Phantasmapolis: 2021 Asian Art Biennial at National Taiwan Museum of Fine Arts. Chotpradit is visiting from Silpakorn University in Bangkok, the place she is a lecturer in modern and contemporary art in Thailand. Thanavi Chotpradit is a lecturer of history of trendy and contemporary art in Thailand at the Department of Art History, Faculty of Archaeology, Silpakorn University, Bangkok. In October the ability Institute is very proud to be hosting Thanavi Chotpradit, considered one of Southeast Asia’s main art historians, critics and curators. Since its beginnings in 2017, the facility Institute’s Sydney Asian Art Series has turn into one in all Australia’s main platforms for concepts about Asian artwork, accruing a global reputation. The power Institute’s reputation for excellence in artwork and visible tradition makes this fellowship an thrilling opportunity. The Australian Institute of Asian Culture and Visual Arts (VisAsia) was established in 1999. It really works collaboratively with the Art Gallery of latest South Wales to deliver a diverse vary of conventional and contemporary Asian art to the Australian public and the Art Gallery’s worldwide guests.

PSIC has visions to enhance quality of life and well-being, promote knowledge to the disadvantaged, cooperate with the federal government, non-public sector and worldwide organizations, create opportunities for people in remote areas. Chotpradit additionally has a distinguished career as a curator, and was not too long ago co-curator of Phantasmapolis: 2021 Asian Art Biennial at National Taiwan Museum of Fine Arts. She is an impartial curator, a member of the editorial collective of a peer-assessment journal Southeast of Now: Directions in Contemporary and Modern Art in Asia and a co-founding father of “readtherunes”, a Bangkok-based writer. Her latest article “Shattering Glass Ceiling: Art and Activism in Thailand since 2020” is printed in the Routledge Companion to Art and Activism in the Twenty-First Century, (Routledge, New York and London, 2023). Her areas of interest embrace trendy and Thai contemporary art in relation to memory studies, struggle commemoration, Thai politics and archival practices. To investigate this theme, the Series has introduced lectures, seminars and screenings by May Adadol Ingawanij (University of Westminster), Justin Jesty (University of Washington) and Jung Joon Lee (Rhode Island School of Design), who have considered communities spanning gender, race and ideological differences, in Southeast Asian transferring picture practices, socially engaged artwork initiatives in contemporary Japan, and images and race in postwar Korean camptowns.

In 1904, the school of Sericulture was based at Tambon Thung Saladaeng, Bangkok by Prince Benbadhanabongse, the director of the department of sericulture of the Ministry of Agriculture. The Ministry of Agriculture established the Central Agriculture Station or “Kaset Klang”, in Bang Khen District, Bangkok. In 1943, Field Marshal Plaek Phibunsongkhram promoted the College of Agriculture and established Kasetsart University as a division of the Ministry of Agriculture. Kasetsart University Student Administrative Board (KUSAB) represents KU pupil pursuits in educational, social, and recreational actions. Kasetsart University Student Council (KUSC) is a KU student group as set out in the 1952 scholar constitution. He hired Dr Kametaro Toyama, from the University of Tokyo, to practice Siamese college students in Japanese silk and weaving crafts. Chotpradit will add to this already wealthy discussion by means of a public lecture to be delivered at the Art Gallery of NSW, and a extra intimate seminar for college students on the University.