The story in LA BELLE CAPTIVE appears to be restarted again and again, but a lot of the tales on this movie do not have an opportunity to go to the climax point, because they end abruptly before they get to that time. After that it will rise steadily and quickly to the climax level near the top of the movie. There isn’t just one climax as in most mainstream movies, but I really feel as if there are three climaxes-the first in the poisoning scene in CAFE EDEN, the second in the chasing scene in the factory, the third in Tunisia. But although the storytelling in these three movies are fragmented, the emotional circulate nonetheless runs easily in Last Year AT MARIENBAD and EDEN AND AFTER, but in the case of LA BELLE CAPTIVE, it appears as if the emotional circulation can also be fragmented, too. I think the emotional stream on this film doesn’t run as smoothly as the opposite three movies. But although this characteristic may make me like LA BELLE CAPTIVE less than different films by ROBBE-GRILLET, I nonetheless like this movie very much, at the very least a lot more than most thrillers by Brian De Palma (Hey, I like De Palma).
It remains to be a movie by Robbe-Grillet, so all those questions of who’s alive, who is dead, who’s half-lifeless, who’s dreaming, who’s awake, who’s half-awake, who’s imagining, who is being imagined-need no answer. It makes me like this film lower than different films by Robbe-Grillet, but it surely makes this film very completely different from many other films at the identical time. And that is what I do not discover in other films concerning paintings. I feel that the explanation why LA BELLE CAPTIVE is completely different in this way is likely to be as a result of Robbe-Grillet created LA BELLE CAPTIVE by using Magritte’s series of paintings as the starting point. If Robbe-Grillet used many paintings, as a substitute of 1 painting, as an inspiration for the movie, University In Bangkok Thailand it is little doubt why the film’s emotional move is fragmented. The emotional stream will swing up or down in the course of the early a part of the movie. But the enjoyable will end and the pleasure will die whenever I open the box to look what is absolutely inside. I can only guess, and get nice pleasure and enjoyable from the guessing. He appears great in the Red Shoes.
The lyrics are great. I do not know much about the data behind this movie, but there are six paintings by Magritte, all of which are known as La Belle Captive. The movie seems to surrender to an infinite energy by the paintings of Magritte and Edouard Manet. The movie seems to be very interesting. I do it because I want some DVD distributors in Bangkok to have an interest in this film and order this DVD to be sold in Bangkok. I’m very fortunate that the Alliance Francaise in Bangkok had the film print of INDIA Song. I hope you do not mind that I quote your writing to promote this movie. As for BEAU TRAVAIL, I noticed it four times through the French Film Festival in Bangkok, and that i saw it at Alliance Francaise for the fifth viewing. Through the previous ten years, I noticed INDIA Song once in a mini-theatre in a college in Bangkok, and for the opposite six times I saw it in the theatre of Alliance Francaise.
By the way in which, I’m progressively studying your movie critiques prior to now. So I have quoted something you wrote about this film and posted it on some Thai movie webboards. I think that Last Year AT MARIENBAD, EDEN AND AFTER, and LA BELLE CAPTIVE seem to have fragmented storytelling. I’ve seen this movie only once. However, this characteristic is what I both like and dislike in the film. I’m glad you like Kim Seong-su. However, there are nonetheless many issues that I like in LA BELLE CAPTIVE. I like what you wrote about BORN IN FLAMES very much. I believe that the difference between LA BELLE CAPTIVE and other Robbe-Grillet’s movies is a good thing, too. In different films, I might really feel annoyed when the mysteries within the movies should not solved. But in Robbe-Grillet’s films, there might be many mysteries, there might be many clues, and there will likely be no answer, or there could also be too many possible solutions. However, I’ll try to jot down about my emotions for this film. Nina Simone’s voice makes me feel both the hardship of life and the dignity of someone who won’t give in to all these pressures in life.
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